< Back LD Systems Headphone Distribution HPA6 - 2x Headphone outputs per channel on the back - Stereo main input XLR and jack -Stereo main output XLR and jack - Adjustable Direct input (stereo) Previous Next

< Back Koenig + Meyer PTT Base with Samson CM15P Gooseneck Koenig & Meyer Push To Talk Microphone base with gooseneck mic. Ideal for presenter talkback during live broadcasts. Use in conjunction with the G3/G4 or LD Systems IEMs and Acoustic Tube In Ear Pieces. Previous Next

< Back Sennheiser MD42 Reporters Mic Perfect either cabled or with the EW100 G3/G4 Plug On Transmitter. Ideal for most situations including loud environments to vox pops on a busy street. Previous Next

< Back Line Audio CM4 Cardioid Condenser Microphone Kit includes: 1x Line Audio CM4 Cardioid Condenser Microphone 1x K&M Microphone Mount 1x Foam Windshield 1x Rode Audio Fur Wind shield About the Microphone: This little microphone has a natural, detailed and balanced response. Perfect for natural reproduction of acoustical instruments such as members of the bowed and plucked string-families, grand piano, brass, percussion, overhead choir and voice -with a minimum of colouration. The linear off axis performance is beneficial with large sound sources and for stereo recording, preserving sound character at an angle. The CM4 is tough enough to handle drums with full depth and punch, drum overhead clearly and crisp without strain. It also handles amplified instruments well. Previous Next

< Back Allen and Heath Qu16 Mixer/Recorder Comes in flight case. Massive processing power and advanced functionality counts for nothing if you can’t access the controls you need in a heartbeat. Qu-16 has a fader per mono input channel and fewer fader layers for simpler, quicker workflow. Because every mic input is presented on its own fader for fast, easy control, this makes Qu-16 the perfect mixer for first-time converts from analogue to digital and those not comfortable working with several layers of faders. The True Colour Touchscreen and its dedicated rotary encoder form the heart of Qu-16’s interface, providing super-fast access to all settings and parameters. Dedicated keys and screen tabs quickly guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more. Complementing the touchscreen is the SuperStrip – a set of single-function physical controls for instant access to gain, HPF, 4 band PEQ, gate, compressor, GEQ and pan. 19'' rack-mountable design 16 TRS/XLR mono mic/line inputs Recallable AnalogiQ™ preamps 12 XLR mix outputs 7 monitor mixes (4 mono and 3 stereo) 4 FX engines 2 dedicated FX sends/returns 4 DCA groups AES digital out 24 x 22 USB audio interface dSNAKE™ remote audio port Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor, delay on all inputs Insert, 4-band PEQ, 1/3 octave GEQ, compressor, delay on all outputs Previous Next

< Back Shure MV7X Podcasting / Voice Over Microphone Ideal for Podcasting or Voice Overs. The MV7X's design is on the legendary SM7B, though more sensitive and more forgiving. Connect directly to almost any audio interface via XLR and you'll soon be recording high quality audio. Kit includes: 1x Shure MV7X 1x Table Stand Previous Next

< Back LD Systems IEM Bandwidth: 823-865Mhz Ideal for production monitoring. Minimum Hire: 1x IEM Previous Next

< Back Behringer Feedback Destroyer Pro FBQ2496 The Behringer FBQ2496 Feedback Destroyer Pro features an exceptionally quick feedback detection algorithm that detects and suppresses feedback within 0.2 seconds. Designed for live performance venues, the 2-channel FBQ2496 offers balanced inputs and servo-balanced outputs along with extensive MIDI implementation and user preset memories. Thanks to Behringer's "Search and Destroy" algorithm the system automatically detects up to 20 problematic frequencies. By using super-tight notch filters the FBQ2496 is able to combat feedback, leaving your signal unaffected. Feel free to choose between manual and auto-mode. Selecting manual allows you to tweak up to 40 filters, adjusting frequency bandwidth and gain. Previous Next

< Back Sound Devices 664 with 2x Sennheiser G3 Radios with Cos-11 Mics Includes: 1x Sound Devices 664 1x HD25 Headphones 2x Sennheiser G3 Radio Mics 2x Sanken Cos-11 with RM11, Clip & Pop Shield 1x 416 Boom Mic 1x Ambient Boom Pole Length 1-3 metres 3x XLR Cables 2x NP1 Batteries 1x NP1 Battery Charger 1x 5 Pin Lemo > 5 Pin Lemo 1x 5 Pin Lemo > BNC Previous Next

< Back Line Audio CM4 Cardioid Condenser Microphone Stereo Kit Stereo kit includes 2x Line Audio CM4 Cardioid Condenser Microphones 2x K&M Microphone Mounts 2x Foam Windshields 2x Rode Audio Fur Wind shields 1x Stereo Bar About the Microphones: This little microphone has a natural, detailed and balanced response. Perfect for natural reproduction of acoustical instruments such as members of the bowed and plucked string-families, grand piano, brass, percussion, overhead choir and voice -with a minimum of colouration. The linear off axis performance is beneficial with large sound sources and for stereo recording, preserving sound character at an angle. The CM4 is tough enough to handle drums with full depth and punch, drum overhead clearly and crisp without strain. It also handles amplified instruments well. Previous Next

< Back Sennheiser G3 Radio With Sanken Cos11 Mics Each TX/RX Includes: 1x Sanken Cos-11 1x RM11 1x Pop Shield 1x Tie Clip Rycote Stickies and Over Covers can be purchased separately. Previous Next

< Back Tascam TM-95GN Base with Tascam TM-95GN Mic Tascam powered microphone base with switch and gooseneck mic. Ideal for presenter talkback during live broadcasts. Use in conjunction with the G3/G4 or LD Systems IEMs and Acoustic Tube In Ear Pieces. Previous Next